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Hoodoo History "Cultivating a great respect for nature is the ultimate goal of all the customs concerning the sacred wood." This Path Leads to and From Africa Sticks, stones, roots, and bones are the basic ingredients found in the Hoodoo's mojo bag. To understand the concept of Conjur Craft, let us explore the African roots of Hoodoo. Until very recently, the relationship between Hoodoo and European folklore, mysticism, and magic, as well as its similarities to Native American spirituality, have been a primary scholarly focus. When I began to explore my ancestry and heritage, I was immediately struck by how very African Hoodoo is. As a scholar, I found study of Hoodoo from an African perspective extremely oblique, since the existing research came through a European filter. To complicate matters further, you cannot research Hoodoo by seeking sources on African or African American magic or even as alternative spirituality; such categories are not culturally relative. As luck would have it, I was able to use my background as an artist and art professor with interests in folklore, some fieldwork in cultural anthropology, and a passion for linguistics to find answers. As I examined the non-English words used in Hoodoo treasure troves like the collection of slim volumes by Anna Riva, I found valuable clues that led not only to West Africa but all the way back to Ancient Egypt. The words in spells, oils, powders, and incantations include Egyptian deities (Sun Ra, Isis, Osiris, and Hathor). Sacred Egyptian herbs or herbal blends like Kyphi, Khus Khus (lemongrass), frankincense, and myrrh are ingredients often required for Hoodoo. Legendary people from the Middle East and North Africa like the Queen of Sheba and King Solomon are honored by incense bearing their names. Many powders use West African based terms like Nyama, Ngama, and Nganga and conjure up the Seven Powers of Africa (Ifa Orisha). Superstitions about brooms; the crossroads; reverence for warriors, water, metallurgy, and stones are implicit in Hoodoo; each is derived primarily from traditional African spirituality. These links were only the beginning of my magical journey. The seminal book that pulls together African culture with that of the Americas is Flash of the Spirit by Robert Farris Thomas. Thomas provides some of the most well-documented and well-illustrated relationships available. Building on the foundation provided by Flash of the Spirit, I delved into books and catalogs devoted to African art. I had an epiphany while exploring African figurative sculpture, finding Hoodoo's African heritage neatly preserved inside the mojo bag. Before you can appreciate the cultural reservoir that a mojo bag represents, it is best to understand a few of the concepts that it embodies. The mojo bag is a collection of ashe. Ashe is the invisible power of nature represented in all natural products and organic objects. The Igala people of Nigeria are one of many African groups that consider any type of plant life to be filled with medicinal powers. The term medicine is holistic, so they are not just for treating physical complaints but the spiritual as well. Power objects like shields, masks, sculptures, amulets, and charms are conglomerations of ashe. Bamani Komo Society masks and Boli figurative sculptures are encrusted with feathers and quills. This captures the mystical powers of both bird and porcupine. Encrustation is a type of food for a power object. Food sustains the life of the power object. Feeding consists of ground stones or herbs; leaves; feathers; bones; animal skins, teeth; sexual organs or horns; chicken blood; semen or saliva. The Yaka, Kongo, Teke, Suku, and Songhai people pack a cavity in the belly of their sculptures with a wide range or organic materials: bones, fur, claws, dirt from animal footprints; scales, sexual organs, lightning excreta, fingernails, animal skins, and more. Kongo, Suku, and Yaka people of Central Africa create some excellent examples of these sculptures. These groups of people prepare sachets made from shells, baskets, pots, bottles or food tins, plastic bags, or leather bags. These medicine bags are charged with natural and manmade materials like gunpowder or glass. The Kongo power figures are called minkisi or nkisi (plural). Nkisi incorporate the elements and they are considered to be charms powered by nature. They help people heal and provide a safe spot or hiding place for the soul. They sometimes contain seashells, feathers, nuts, berries, stones, bones, leaves, roots, or twigs. The Bamana of the Western Sudan use power objects such as medicine bags that are imbued with ashe for addressing various ills. These objects are used to express prowess as a warrior, to fight supernatural malaise, and to foil evil intentions. The bags contain bilongo (medicine) and a mooyo (soul). Enslaved Kongo and Angolan medicine people brought the concept of bilongo and mooyo together in the Americas as mojo bags. These mojo bags are prepared by a specialist akin to the Banganga (priests/priestess) called a rootworker or conjurer in Hoodoo. The objects within each bag guide the spirits to understand the reason their help is sought. Materials with strong ashe like human or animal footprints survived slavery and continue to be used in mojo bags within Hoodoo and Santeria as well. Other ingredients of a mojo bag include objects associated with the dead: coffin nails, ground bones, or graveyard dirt. The objects, whether stick, stones, leaf, or bone, have a corresponding spirit and particular medicine ascribed to them. Mojo bags are considered alive, possessing a soul; thus they, like their African power object ancestors, must be fed on specific days. American hoodoo feed their mojos powdered herbs, magnetic dust, herbal oils, dust, and foot-track dirt, singly or combined. African herbalism called Daliluw is used to strike the right balance of ingredients along with invocation of various deities. Daliluw is enhanced by rituals which either activate or control energy. Mojo bags vary by region, purpose, and even the gender that creates them. They are alternatively called a hand, flannel, toby, gris-gris, or Joe mow. Here is a recipe for a mojo bag designed to draw prosperity: A Money Bag High John the Conqueror Root embodies the spirit of a heroic, fearless survivor of slavery. High John the Conqueror represents courage, strength, bravery, and the spirit of hope. Begin this work on the waxing moon on a Thursday. Carefully select a High John the Conqueror Root that calls out to your spirit. Using your dominant hand (the most powerful hand) put root in a cup of sunflower oil. (Sunflowers possess positive energy because of their intimacy with Sun Ra). Stir in seven drops of attar of roses (substitute rose fragrance oil if necessary). Roses are soothing, healing plants that help us to receive blessings from the universe. Cap tightly. Swirl daily for fourteen days. Blot excess oil. Place fragrant High John, nutmeg, some cloves, and small cinnamon stick inside a four-by-six-inch piece of green flannel. Dip sewing needle in the sunflower and rose oil blend. Sew flannel together with green cotton thread. Feed bag at the beginning of the waxing moon and on full moon. Food: sprinkle bag with a blend of powdered peppermint, lime, and basil (dried), magnetic sand, and sandalwood essential oil. (Store blend in stainless steel container when not in use). You can also feed your money powdered High John root to draw prosperity or sprinkle it with basil. Conjur Craft: The Art of Contemporary Hoodoo Now that you understand some of the history of Hoodoo, I would like to delve into Conjur Craft. My work stresses the idea of working with nature and not just using what she has to offer us. An easy way to accomplish this is to assure a proper balance in the relationship of give and take:
To enlist the help of the earth, work closely with her:
This is Hoodoo for the 21st century—I call it Conjur Craft. It is critical that we take into consideration the large population of humans that reside on our planet and the effects of these numbers on the Earth Mother's reserves. We need to own up to the urban nature of our existence. Moreover, we must stay mindful of the recent developments in our culture. To stay true to the origins of Hoodoo will attempt to incorporate as much tradition as realistically feasible. As we blend, we seek a balance between the old ways with modern ethics and contemporary technology. Our goal is to honor the Earth Mother and our ancestors as we work our roots in a respectful way. At-Risk Plants The United Plant Savers is an important group that keeps herbalists, gardeners, and others informed of the fragile status of certain plants. It is important to realize that today many traditional Hoodoo plants are at risk and some are in danger of extinction, including: Bearberry (Arctostaphylos uva-ursi), also called kinnickinnick Black cohosh (Cimicifuga racemosa) Blood root (Sanguinaria Canadensis), also called King root or He root Blue Cohosh (Caulophyllum thalictroides) Cascara Sagrada (Frangula purshiana), also called sacred bark Goldenseal (Hydrastic canadensis); ginger is a safe substitute Solomon Seal (Polygonatum biflorum) Trillium (Trillium spp.), Indian Root and Beth Root White Oak Bark (Quercus alba) White Sage (Salvia apiana), used widely in smudge sticks Animals It may come as a surprise that certain plants are endangered or at risk, but we've known this to be true for a long time about animals and sea creatures. A variety of animal's parts: fur, teeth, bones, horns, and claws have been useful to Hoodoo and similar paths from Africa. Let's examine a few of the more prominent animals used from an African prospective to understand why they were used in Hoodoo and then figure out a way to substitute for them in Conjur Craft.
Fascinating histories, traits, and mythology aside, my advice in utilizing animals to conjure is to work with the animals without taking their lives. You can find a snakeskin, fallen feathers, found skulls, and deceased alligators, raccoons, and badgers to utilize their various parts. You can use a sistrum in ceremony and rituals to capture the power of snakes. If you eat meat, collect and then bleach (to sanitize) bones and feathers from your meals and use them in mojo bags. Finding Substitutes Another thing to do is use artistic substitutes. These include plastic toy replicas; metal casts of spiders, scorpions, snakes, and tigers; and small sculptures. In South Africa, there is a lively tradition of creating power animals out of clay. I particularly enjoy using South African sculptures magically, since black Africans hew them from the Earth Mother. West African tribes, ancient Khemetians (Egyptians), and various African spiritual paths strongly support the notion of working with totemic animals. In Wicca and Witchcraft, working closely with animals is aligned with the concept of the familiar. In Conjur Craft, I suggest refraining from harming all animals, including humans. Substitutes for animal blood offerings and sacrifice still enhance tricks (spells) if you bless and charge them with power. Try any one of these:
Sea Creatures Hoodoo revolves around veneration of water, water spirits, and water deities; consequently, we look to the rivers, lakes, and especially to the sea for rootwork ingredients. There are two sea creatures that I discourage use of: coral and pearls. Cultured pearls are created and then extracted from living creatures in a violent way. Using pearls may cause your tricks or jobs to backfire negativity and bad karma your way. Coral is alive. If you can find a piece washed up on the beach or in an antique shop, it might bring some benefits to your conjuration. Buying commercially harvested contemporary coral, in light of the endangered status of world's coral reefs, is ill advised. Cowries, Irish moss, sea kelp, and especially sea salt are useful in invoking the purifying, protective, loving presence of the sea. Cowries are a traditional instrument of divination in Africa. They have been useful as currency and in ornamentation—and why not? They are after all the symbol of the yoni. Sticks, Stones, Roots, and Bones By now, it is clear that Conjur Craft and its ancestor, Hoodoo, are built around nature. These traditions share some common ground to the more European based Witchcraft and Wicca. The practitioner of Conjur Craft or Hoodoo has much in common with Wiccans, Green Witches, and Hedge Witches. All of us employ nature, the elements, the universe, and the power from within to bring about powerful change. The title of my innovative book Sticks, Stones, Roots and Bones. This book is a compilation of songs, recipes, tricks, jobs, rituals, spells, stories, recollections, and folklore that center around African and American culture. The book gives practical hands on ways for denoting rites of passage and cycles of life using magical herbalism and African traditions. Ample information, spells, charms, and amulets are shared to help the reader deal with common, everyday concerns. Hoodoo was almost ridiculed out of existence by those who had no idea what they had stumbled across. It continues to suffer from misunderstanding, an excess of European interpretations, capitalism, and commercial interests. Crafting the formulas and recipes requires an essential ingredient—TLC (tender loving care) to harness ashe (magical forces and energies of the universe). Sticks, Stones, Roots and Bones emphasizes a hands-on, do-it yourself approach; thus recipes are central. Thankfully, Hoodoo and conjuration are currently enjoying a renaissance. I am grateful that the ancestors and nature spirits found me to be a suitable conduit to contribute to the creation of Conjur Craft. I leave you with a few projects and inspirations, so roll up your sleeves and get busy! Spirit of Renewal Bath Sachet Clearings and battling negativity can take their toll. To combat fatigue, try this invigorating sachet. It will renew your spiritual and psychic resources. 1 teaspoon each dried yarrow, chamomile, and peppermint. 2 tablespoons powdered whole milk 1/8 teaspoon each lavender, rosemary, and white pine needle essential oils 3 tablespoons aloe vera gel Two marigold (calendula officinalis) flowers 1-teaspoon magnetic sand Put dried herbs and milk into a large tea bag. (You can also use a piece of cheesecloth secured with a rubber band). Run bath. Hang sachet under faucet. Stir essential oils into aloe vera gel. Pour into tub. Mix. Pluck petals from marigold flower into the water while focusing on your intentions. Sprinkle in magnetic sand, imagining that they are grains of energy. Get in, relax, and enjoy! A Bowl of Dirt An important reminder of our connection to the ancestors and to Mother Earth is to keep a crystal or metal bowl full of earth in the home. This may be graveyard dirt collected from a loving family member's plot, dirt from a fertile garden, or simply potting soil. Set the filled bowl on your personal altar on a piece of African cloth such as mud cloth, kente cloth, or indigo. A Prosperity Charm Press a five-leaf clover (Trifolium spp.) between two heavy books. When it is flat and dry, (about one week), remove clover and laminate it. Cut out two pieces of waxed paper about two inches square. Sandwich clover between papers. Iron on low. Once cool, place pressed clover in a locket and wear every day or carry it in your wallet pressed between your paper money. Love Potion On a Friday evening of the new moon, cup three white cardamom pods in your hands, blow on them, kiss them, tell them to bring you love. Place cardamom in two cups of red wine with a few orange slices. Simmer, don't boil. (Prick your finger with a needle and add a few drops of blood to the potion, if your dare!) Sip this with the desired person. Love, prosperity, health, fertility, remembrance, success, empowerment, self-help, and all that you desire can be achieved through the considerate employment of the gifts of Mother Nature: sticks, stones, roots, and bones. |
Stephanie Rose Bird Stephanie Rose Bird is a hereditary intuitive, contemporary rootworker, solitary green witch and visionary. She has been involved with mysticism, symbology, spiritualism and the occult for thirty years. Bird is inspired by her ancestors, in... Read more |